x_los: (Default)
My library ap showed me this title, so I thought I'd just go ahead and read this "The Time Machine" children's comic in Spanish because I know the story, having only recently read the book.

IMG-4759

I was not really expecting this attempt to make Weena and (some) Morlocks sexy, or to render the protagonist as Han Solo. It's giving "Fifth Element", it's serving "Hellraiser". The other Eloi look like steamed dumplings, but they are nonetheless letting this single hot chick they produced drown, huh. ‘Mankind degraded to a childlike state… in a sexy way’. I didn’t see the bimbofication "Time Machine" adaptation coming, but.

I've wondered before about the pedagogic intent behind 'Dickens for Babies', et al., but while this summary is generally accurate (in a stripped-back way), at the end the narrator now suggests that the time traveller went back and crossed his own time stream to rescue Weena from the cannibal Morlocks/conflagration. Iiiii don’t remember this plot element, but H.G. oh Wells. Basically, what is the point of summarising this story for children (in a new language) if you're going to 'improve' upon it thus? Do you want to give them an idea of this story, or are you trying to offer entertainment or edification on your own, fresh terms? If the later is the case, then why cling to this 'IP' at all?

I guess considered as a Spanish learning exercise, this was a success. I honestly need to get better about pursuing reading in Spanish.
x_los: (Default)
 Wintersmith:

- Leave it to a guy writing YA to not make 'the spirit of winter becomes infatuated with a human girl' even a bit sexy. It's just not an idea that would have occurred to a woman handed that brief. Tiffany is a bit flattered by her swain's power and attention, but seduced she decidedly is not. That is just not on the table. A shame, because that would have added a compelling dimension to her moral issues, her Bildungsroman and the final conflict. (Katy also points out that it's odd to seed Tiffany transforming into summer, but then to hardly use that.)

- Katy found the opening weird, but thought it worked out somewhat in the end. I don't think it did much, honestly, other than undercut the pacing and emotional flow a bit.

- She also found the end, where Rob Anybody defeats the books, charming. She felt similarly about Annagramma's not-quite-reform arc and Miss Treason's sections, particularly those involving this book's treatment of D/death. (Katy has perviously observed that all Tiffany Aching books are about death.) 

- She also finds the build-up here with Roland particularly annoying, because the subsequent book revokes its promise so severely.

- We both thought this was a pretty solid book. 


Amo a mi mama:

- A very rudimentary bilingual Spanish/English children's book I read. I need to finish my backlogged German practice, get back to Spanish, and start reading a lot more thereof. I have my sights on more challenging dual-facing material after I get through a few more of these little ones (thanks to Hoopla/my US library card). 

x_los: (Alice)
Pleased with myself for having figured out "sin parentesco" is Spanish for "no relation" from context. #smallvictories

Also this song's moreish.

Writing

May. 22nd, 2007 01:37 am
x_los: (Default)
*If anyone needs me, facebook or lj me, as my phone's died and I can't find the charger*


When you edit something, any creative writing work, there's Hard Edit and Smooth Edit. Hard Edit does the rip-the-guts-up work, where you get under the project and just fuck around down there like you're a bored Latino mechanic toying with an El Camino on cinderblocks that will never run run again anyway, with that kind of skilled wanton desire to rip the shit out of the frame and shove something that will turn over in there. Smooth edit is when you come in the day after than and Emily Post it so that all it's little rough edges are soothed down and the writing is toped with pink bows, which people notice because they're bows, usually not getting that the real work that makes everything function is something below that, which is fine because good writing is so impregnable that it's hard to figure out exactly why it's working.

I edited a nonfic piece Mexican Mechanic style tonight, after a workshop in which I droped the ball, and it felt good. It went from two pages to six, but that's okay. I cut things and gave it the thematic equivalent of whitewall tires and a door that does not open out, but slides up on rails.

Molly, Therese and I got the first half of Vaguely in the scripted form we're handing out to workshoppers.This is vital, because in order for Therese to start paneling the script has to be adamantium solid. I almost want to finish writing the comic before sending out the first issue, to avoid continuity issues of any kind, but it's not practicable, and besides, should the comic even be moderatly sucessful that kind of thing can be knit together in re-issue without the world ending.

Sam suggested 'Circus' for tonight's sonnet topic (Project One Sonnet A Day goes excellently, 10 new ones so far (I missed three days with new classes and am catching up on that still by two a day-ing, which is kind of demanding). Thanks to Sam, because I'm really happy with it. It's about the death of a trapeze artist named Elise because her partner purposefully didn't catch her. I'm thinking of doing several that have a narative thread which focus on a circus. That's a little Meghan Donner, but I think we have different enough voices and theme-interests for me to avoid treading her ground.

First Spanish class was easy, and I felt like a shit. Am meeting with the department head tomorrow morning to transfer into intermediate one if possible. Then I'll finish intermediate one and two during the summer, take conversation classes during the year, and pick up my Spanish minor like a charm. STFU mom, once I have two minors you can't bitch about me droping history. If I end up doing that. Yeah...

Productivity. Maaaaaaaaaah.

Writing

May. 22nd, 2007 01:37 am
x_los: (Default)
*If anyone needs me, facebook or lj me, as my phone's died and I can't find the charger*


When you edit something, any creative writing work, there's Hard Edit and Smooth Edit. Hard Edit does the rip-the-guts-up work, where you get under the project and just fuck around down there like you're a bored Latino mechanic toying with an El Camino on cinderblocks that will never run run again anyway, with that kind of skilled wanton desire to rip the shit out of the frame and shove something that will turn over in there. Smooth edit is when you come in the day after than and Emily Post it so that all it's little rough edges are soothed down and the writing is toped with pink bows, which people notice because they're bows, usually not getting that the real work that makes everything function is something below that, which is fine because good writing is so impregnable that it's hard to figure out exactly why it's working.

I edited a nonfic piece Mexican Mechanic style tonight, after a workshop in which I droped the ball, and it felt good. It went from two pages to six, but that's okay. I cut things and gave it the thematic equivalent of whitewall tires and a door that does not open out, but slides up on rails.

Molly, Therese and I got the first half of Vaguely in the scripted form we're handing out to workshoppers.This is vital, because in order for Therese to start paneling the script has to be adamantium solid. I almost want to finish writing the comic before sending out the first issue, to avoid continuity issues of any kind, but it's not practicable, and besides, should the comic even be moderatly sucessful that kind of thing can be knit together in re-issue without the world ending.

Sam suggested 'Circus' for tonight's sonnet topic (Project One Sonnet A Day goes excellently, 10 new ones so far (I missed three days with new classes and am catching up on that still by two a day-ing, which is kind of demanding). Thanks to Sam, because I'm really happy with it. It's about the death of a trapeze artist named Elise because her partner purposefully didn't catch her. I'm thinking of doing several that have a narative thread which focus on a circus. That's a little Meghan Donner, but I think we have different enough voices and theme-interests for me to avoid treading her ground.

First Spanish class was easy, and I felt like a shit. Am meeting with the department head tomorrow morning to transfer into intermediate one if possible. Then I'll finish intermediate one and two during the summer, take conversation classes during the year, and pick up my Spanish minor like a charm. STFU mom, once I have two minors you can't bitch about me droping history. If I end up doing that. Yeah...

Productivity. Maaaaaaaaaah.

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