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Notes while watching "Portrait of a Lady on Fire"
- These hos flirting in the middle of providing abortion care, damn.
- Rural French women know some bitchin complicated multipart choral harmonies.
- Later found out this was late 1700s Brittany, which led to me actually looking at a map and seeing where Jersey, Sark and all were in relation to the UK (off Cornwall) and HOW much closer they are to France, damn.
- This kitchen has some HUGE round bottles, what are those for?
- ‘Hey I saw your sister’s ghost a second ago, I think? she says hello. Oh no I’m still in the mood, don’t worry about it, we’re good.’
- Nah don’t make the kids go play outside or anything, it’s just some gynaecology. Nbd, they can stay on the bed.
- You can get high fucking plant goo into hairy armpits? The French know how to live.
- aGAIN with this ghost! Boo to you as well, girl.
- ‘I’m just over here doing applied art, not that you care—-just embroidering some abortifacients, but I guess that’s not HIGH art—‘
- The attention to material culture in this film in terms of the clothing, the house and its goods really makes it.
- WHAT is a guy doing here? ‘Bonjour’? Get the fuck out.
- Aren’t you gonna secure that painting, or wrap it, or use a wax paper layer, or—- What about road dust? I can SEE through those slats! What if the box falls in the ocean again??
- I guess maybe the oil is still too wet for them to employ good protection?
- Oooooh, she’s her own ghost. Ic, ic.
- Whelp, you’ve got a weird looking child now, so well done there.
- I feel like they could have contrived to correspond or see each other socially if they’d wanted to? I guess maybe they didn’t choose to, in that limited way.
- Lesbian sadnessss, do do de dooooo.
- Rural French women know some bitchin complicated multipart choral harmonies.
- Later found out this was late 1700s Brittany, which led to me actually looking at a map and seeing where Jersey, Sark and all were in relation to the UK (off Cornwall) and HOW much closer they are to France, damn.
- This kitchen has some HUGE round bottles, what are those for?
- ‘Hey I saw your sister’s ghost a second ago, I think? she says hello. Oh no I’m still in the mood, don’t worry about it, we’re good.’
- Nah don’t make the kids go play outside or anything, it’s just some gynaecology. Nbd, they can stay on the bed.
- You can get high fucking plant goo into hairy armpits? The French know how to live.
- aGAIN with this ghost! Boo to you as well, girl.
- ‘I’m just over here doing applied art, not that you care—-just embroidering some abortifacients, but I guess that’s not HIGH art—‘
- The attention to material culture in this film in terms of the clothing, the house and its goods really makes it.
- WHAT is a guy doing here? ‘Bonjour’? Get the fuck out.
- Aren’t you gonna secure that painting, or wrap it, or use a wax paper layer, or—- What about road dust? I can SEE through those slats! What if the box falls in the ocean again??
- I guess maybe the oil is still too wet for them to employ good protection?
- Oooooh, she’s her own ghost. Ic, ic.
- Whelp, you’ve got a weird looking child now, so well done there.
- I feel like they could have contrived to correspond or see each other socially if they’d wanted to? I guess maybe they didn’t choose to, in that limited way.
- Lesbian sadnessss, do do de dooooo.