rfemod (
rfemod) wrote in
fandomcalendar2025-12-15 11:38 am
Phaeton (
dancing_serpent) wrote in
c_ent2025-12-13 01:57 pm
Entry tags:
Weekly Chat
The weekly chat posts are intended for just that, chatting among each other. What are you currently watching? Reading? What actor/idol are you currently following? What are you looking forward to? Are you busy writing, creating art? Or did you have no time at all for anything, and are bemoaning that fact?
Whatever it is, talk to us about it here. Tell us what you liked or didn't like, and if you want to talk about spoilery things, please hide them under either of these codes:
or
Whatever it is, talk to us about it here. Tell us what you liked or didn't like, and if you want to talk about spoilery things, please hide them under either of these codes:
or
nnozomi (
nnozomi) wrote in
senzenwomen2025-12-12 08:06 pm
Entry tags:
Fuchizawa Noe (1850-1936)
Fuchizawa Noe was born in 1850 in Iwate, where her father was a farmer and teacher. Unlucky enough to be born the same year as a major fire, along with ongoing poor harvests, she was fostered out as a baby; her foster parents, the Hamadas, were affectionate, but her foster father died when she was six, after which her foster mother Karu raised her alone, having her educated to the extent possible in the village. At thirteen Noe was indentured to a local shoe store, remaining there until her marriage to the owner’s son at twenty-three. It went badly and she was soon divorced, returning to her birth family to live with a brother. Like Sono Teruko, she took up reading Fukuzawa Yukichi’s work and discovered an urge to study in America.
In 1879, her chance came by way of working as a maid with the family of the engineer Gervaise Purcell, who was returning to America. She spent a year with the Purcells and then went to live with the Prince family in San Francisco, studying English while she worked. She was baptized in 1882.
In the same year, she gave in to her foster mother’s pleas to return to Japan; at thirty-two, she entered Doshisha Girls’ School, leaving three years later when she could no longer afford the fees. She became a teacher first at Toyo Eiwa Girls’ School and then at Hitotsubashi Higher Girls’ School, interpreting for her former employer Miss Prince. After teaching at a series of girls’ schools in the south, building lifelong connections with some of her students, she kept a stationery store for some time in Tokyo, until 1904 when her foster mother Karu died.
In 1905, Noe visited Korea at the invitation of Viscount Okabe Nagamoto and his wife Okako, whom she had met on the boat home from America. She was appalled by the situation of Korean women, whom she found to be shut up inside their homes and required to submit blindly to their menfolk. Making a decision to devote the rest of her life to Korean girls’ education, she founded the Japan-Korea Women’s Association in early 1906, with the support of various eminent Koreans. In May she opened Meishin Girls’ School (later Sookmyung Girls’ School). Lee Jeong-sook, its first principal, thus became the first woman principal in Korea, while Noe served as dean (they were said to rely on each other to the point of telepathy). The school started out unpromisingly with five students, thanks to its stringent rule of taking only the purest of noble blood and to general disinterest in girls’ education. Subjects included Japanese, morals, sewing, and arithmetic among others. They resorted to a student dormitory because girls of high birth couldn’t be seen walking in the streets, requiring a carriage or a veil; when the school eventually outgrew the dormitory, they settled for confusing the eyes of passersby by having the students wear uniform. The language gap was a struggle. However, by 1936 the student body was to have grown to over 500.
Carefully selected and educated as they were, the Sookmyong students were by no means resigned to their colonial suzerains, taking part in the March First liberation movement of 1919 and holding a four-month strike against Japanese teachers and Japanizing education in 1927. Although she did not sympathize with the students’ views, Noe did her best to protect them according to her own lights, juggling connections with the Korean Governor-General and the local churches and women’s associations, having arrested students released on her own recognizance and allowing them to graduate without a stain on their records. She was dedicated to the peaceful “merging” of Japan and Korea, representing at best the “benevolent” side of colonialism while still committed to doing what she saw as the right thing, and in her own way contributing to women’s education in Korea.
Noe met in 1921 with Yajima Kajiko and Kubushiro Ochimi upon their visit to Korea to found a Korean branch of the WCTU, of which she promptly became chair. Known in her old age for spending the winters wearing hats knitted by her students, she died in 1936 at the age of eighty-six. Her funeral was held at her school and she was buried in Seoul (although after the Korean War her remains were moved to a temple in her Iwate home town). Sookmyung Women’s University remains a thriving concern in South Korea; its website names Lee Jeong-sook and the Korean royal family as participants in its founding, but does not refer by name to Noe.
Sources
https://nagoyawsrg.wordpress.com/wp-content/uploads/2014/07/essays2008.pdf (English) Essay going into more detail about Japan’s colonial history in Korea as it relates to Noe.
In 1879, her chance came by way of working as a maid with the family of the engineer Gervaise Purcell, who was returning to America. She spent a year with the Purcells and then went to live with the Prince family in San Francisco, studying English while she worked. She was baptized in 1882.
In the same year, she gave in to her foster mother’s pleas to return to Japan; at thirty-two, she entered Doshisha Girls’ School, leaving three years later when she could no longer afford the fees. She became a teacher first at Toyo Eiwa Girls’ School and then at Hitotsubashi Higher Girls’ School, interpreting for her former employer Miss Prince. After teaching at a series of girls’ schools in the south, building lifelong connections with some of her students, she kept a stationery store for some time in Tokyo, until 1904 when her foster mother Karu died.
In 1905, Noe visited Korea at the invitation of Viscount Okabe Nagamoto and his wife Okako, whom she had met on the boat home from America. She was appalled by the situation of Korean women, whom she found to be shut up inside their homes and required to submit blindly to their menfolk. Making a decision to devote the rest of her life to Korean girls’ education, she founded the Japan-Korea Women’s Association in early 1906, with the support of various eminent Koreans. In May she opened Meishin Girls’ School (later Sookmyung Girls’ School). Lee Jeong-sook, its first principal, thus became the first woman principal in Korea, while Noe served as dean (they were said to rely on each other to the point of telepathy). The school started out unpromisingly with five students, thanks to its stringent rule of taking only the purest of noble blood and to general disinterest in girls’ education. Subjects included Japanese, morals, sewing, and arithmetic among others. They resorted to a student dormitory because girls of high birth couldn’t be seen walking in the streets, requiring a carriage or a veil; when the school eventually outgrew the dormitory, they settled for confusing the eyes of passersby by having the students wear uniform. The language gap was a struggle. However, by 1936 the student body was to have grown to over 500.
Carefully selected and educated as they were, the Sookmyong students were by no means resigned to their colonial suzerains, taking part in the March First liberation movement of 1919 and holding a four-month strike against Japanese teachers and Japanizing education in 1927. Although she did not sympathize with the students’ views, Noe did her best to protect them according to her own lights, juggling connections with the Korean Governor-General and the local churches and women’s associations, having arrested students released on her own recognizance and allowing them to graduate without a stain on their records. She was dedicated to the peaceful “merging” of Japan and Korea, representing at best the “benevolent” side of colonialism while still committed to doing what she saw as the right thing, and in her own way contributing to women’s education in Korea.
Noe met in 1921 with Yajima Kajiko and Kubushiro Ochimi upon their visit to Korea to found a Korean branch of the WCTU, of which she promptly became chair. Known in her old age for spending the winters wearing hats knitted by her students, she died in 1936 at the age of eighty-six. Her funeral was held at her school and she was buried in Seoul (although after the Korean War her remains were moved to a temple in her Iwate home town). Sookmyung Women’s University remains a thriving concern in South Korea; its website names Lee Jeong-sook and the Korean royal family as participants in its founding, but does not refer by name to Noe.
Sources
https://nagoyawsrg.wordpress.com/wp-content/uploads/2014/07/essays2008.pdf (English) Essay going into more detail about Japan’s colonial history in Korea as it relates to Noe.
ICONS: Various Chinese Drama Fandoms
Created for
sweetandshort December: This and That
Theme: Winter

For info: I created the icons first then used www.funnyphoto.net to add the falling snow... but then had to crop and resize the output images back to icon size.
Theme: Winter

For info: I created the icons first then used www.funnyphoto.net to add the falling snow... but then had to crop and resize the output images back to icon size.
Entry tags:
Read-in-Progress Wednesday
This is your weekly read-in-progress post for you to talk about what you're currently reading and reactions and feelings (if any)!
For spoilers:
<details><summary>insert summary</summary>Your spoilers goes here</details>
<b>Highlight for spoilers!*</b><span style="background-color: #FFFFFF; color: #FFFFFF">Your spoilers goes here.</span>*
For spoilers:
<details><summary>insert summary</summary>Your spoilers goes here</details>
<b>Highlight for spoilers!*</b><span style="background-color: #FFFFFF; color: #FFFFFF">Your spoilers goes here.</span>*
Entry tags:
Liu Yu's live performance of "The Witty Gallant's Playful Matchmaking"
I recently watched this gorgeous C-pop performance.
He's so charmingly expressive. Someone in the comments said 'elegance of a noble with the playfulness of a youth' and that's absolute BARS.
He's so charmingly expressive. Someone in the comments said 'elegance of a noble with the playfulness of a youth' and that's absolute BARS.
Phaeton (
dancing_serpent) wrote in
c_ent2025-12-09 03:10 pm
Entry tags:
Topic Tuesday - Your Highlight(s) of the Year
Welcome to Topic Tuesday! Right away I want to stress that discussion posts are always welcome to the community, you don't have to wait until a Topic Tuesday rolls around, and then maybe be disappointed by the current topic of discussion. Whenever you want to talk about something, please simply make a separate entry to this comm, no matter the week, the time, or the topic. All right? *g*
Today's topic is Your Highlight(s) of the Year. 2025 is almost over, so let's take a moment to look back. What were your highlights of the year? Which drama/movie/novel was your favourite, or made the year memorable for you? Did you fall in love with a new actor or singer? Or find a new song/piece of music that seems stuck in your head on an endless loop? Go into detail as much or as little as you like, and leave links if you want.
As usual, if you want to talk about spoilers, please use one of these codes to hide them.
or
Today's topic is Your Highlight(s) of the Year. 2025 is almost over, so let's take a moment to look back. What were your highlights of the year? Which drama/movie/novel was your favourite, or made the year memorable for you? Did you fall in love with a new actor or singer? Or find a new song/piece of music that seems stuck in your head on an endless loop? Go into detail as much or as little as you like, and leave links if you want.
As usual, if you want to talk about spoilers, please use one of these codes to hide them.
or
Entry tags:
Paid account status
Thank you to the mysterious benefactor,
cnovels community is paid till 2026-01-22!
We should use more of the paid account features, like making polls and stuff.
(This is me, encouraging you to post silly-to-serious polls, while we have the power to do so!)
We should use more of the paid account features, like making polls and stuff.
(This is me, encouraging you to post silly-to-serious polls, while we have the power to do so!)
douqi (
douqi) wrote in
baihe_media2025-12-06 08:41 pm
Three Print Editions Available for Pre-order
Pre-orders have opened for the print editions of three baihe novels. All three are from Taiwanese publishers, so will be in traditional Chinese and uncensored.
The first is Spring Remains the Same (春如旧, pinyin: chun ru jiu) by Ruo Hua Ci Shu (若花辞树), a historical court intrigue novel with a cross-dressing main character. This is coming out from Taiwanese publisher morefate, and has a striking and unusual cover design. The web version of the novel can be read here.
The second is Our Happiness (属于我们的幸福, pinyin: shuyu women de xingfu), which collects two (novella-length?) contemporary romances, authored by Li Zi Li (李子李) and Ling Ling Ren (零零人) respectively. Li Zi Li seems to have a profile on Taiwanese webnovel platform Popo, which features a mixture of mostly danmei and yanqing works. I couldn't find much information about Ling Ling Ren on a cursory search. This edition is published by Caiyi Books.
The third is Whispers After the Spotlight (在流量引爆以后, pinyin: zai liuliang yinbao yihou) by Liu Li (琉璃), a contemporary romance between a cafe owner and an ex-YouTube star. This edition is published by Qianyu. Liu Li (author page here) writes across a range of romance and non-romance genres; her romance-focused titles are predominantly baihe, but there is also some danmei and yanqing. She previously published on JJWXC under the name Liu Li Xing Ren (琉璃星人), and has since terminated her relationship with them. However, a couple of her works (including a femslash fic for Jin Yong's The Heaven Sword and the Dragon Sabre (倚天屠龙记, pinyin: yitian tulong ji), can still be read there.
All three titles can be pre-ordered via Feiqin. The latter two can also be pre-ordered via books.com.tw, which also carry the ebook versions.
The first is Spring Remains the Same (春如旧, pinyin: chun ru jiu) by Ruo Hua Ci Shu (若花辞树), a historical court intrigue novel with a cross-dressing main character. This is coming out from Taiwanese publisher morefate, and has a striking and unusual cover design. The web version of the novel can be read here.
The second is Our Happiness (属于我们的幸福, pinyin: shuyu women de xingfu), which collects two (novella-length?) contemporary romances, authored by Li Zi Li (李子李) and Ling Ling Ren (零零人) respectively. Li Zi Li seems to have a profile on Taiwanese webnovel platform Popo, which features a mixture of mostly danmei and yanqing works. I couldn't find much information about Ling Ling Ren on a cursory search. This edition is published by Caiyi Books.
The third is Whispers After the Spotlight (在流量引爆以后, pinyin: zai liuliang yinbao yihou) by Liu Li (琉璃), a contemporary romance between a cafe owner and an ex-YouTube star. This edition is published by Qianyu. Liu Li (author page here) writes across a range of romance and non-romance genres; her romance-focused titles are predominantly baihe, but there is also some danmei and yanqing. She previously published on JJWXC under the name Liu Li Xing Ren (琉璃星人), and has since terminated her relationship with them. However, a couple of her works (including a femslash fic for Jin Yong's The Heaven Sword and the Dragon Sabre (倚天屠龙记, pinyin: yitian tulong ji), can still be read there.
All three titles can be pre-ordered via Feiqin. The latter two can also be pre-ordered via books.com.tw, which also carry the ebook versions.
Phaeton (
dancing_serpent) wrote in
c_ent2025-12-06 01:43 pm
Entry tags:
Weekly Chat
The weekly chat posts are intended for just that, chatting among each other. What are you currently watching? Reading? What actor/idol are you currently following? What are you looking forward to? Are you busy writing, creating art? Or did you have no time at all for anything, and are bemoaning that fact?
Whatever it is, talk to us about it here. Tell us what you liked or didn't like, and if you want to talk about spoilery things, please hide them under either of these codes:
or
Whatever it is, talk to us about it here. Tell us what you liked or didn't like, and if you want to talk about spoilery things, please hide them under either of these codes:
or
duckprintspress (
duckprintspress) wrote in
cnovels2025-12-05 10:19 am
Entry tags: